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Giardino del museo

MUSEUM GARDEN

One of the most interesting and innovative aspects of the New Museum project is the use of the large green area of the surrounding garden.

Beyond the aesthetic value of these spaces, it was decided to exploit their evocative power to address the theme of the relationship between man and nature.

The garden in fact houses many experiential locations where to know - experimenting - some themes such as:
- urban biodiversity,
- sociality in insects and their importance in ecosystems, 
- the cultivation and transformation of the territory in the Neolithic period, 
- weather and climate concepts and the scientific instrumentation of the meteorological control unit,
- the concept of recycling.
Aerial view of the museum complex at the former Slaughterhouse
Close-up of a showy bloom of Salvia microphylla “hotlips,” with characteristic two-colored
                          flowers; three wooden beehives of different colors can be seen in the background.)
A specimen of domestic bee (Apis mellifera) intent on foraging on a flower
Domestic bee workers on a frame of the educational beehive located in the garden of the Museum

- THE DOMESTIC BEE New

The domestic honeybee ( Apis mellifera) is known for producing honey and other products, such as propolis and wax. It lives in organized colonies, with a queen, thousands of workers and, during reproduction, a few males (drones). The colony can be considered a superorganism, composed of thousands of interdependent individuals. Bees also contribute to biodiversity through their role in pollinating many plants. Aromatic plants are widely used by bees and other pollinators. Many of them, such as rosemary, sage, lavender, helichrysum or nepeta have not only an aesthetic function, but with their showy and abundant blooms they also provide a valuable source of nectar and pollen. Also in the creation of these borders, ornamental plants, such as some cultivar varieties of Nepeta and Salvia, have been chosen alongside species naturally found in the Mediterranean basin, such as rosemary or common chamydew.

- THE BUG HOTEL

A bug hotel has been set up in the garden of the Museum. A bug hotel is an artificial shelter intended to provide shelter to insects and other small animals.

Every material present in it is colonized by different groups of species, thus constituting for them a specific habitat. For example, bees and wasps of solitary species, also fundamental in the process of spreading floral pollen, can use straws and pierced woods for spawning. The areas close to the ground, more humid, can be occupied by small litter animals such as isopods, diplopodes, gastropods and others.

If of adequate size, the bug hotel will be able to provide a valuable shelter for small reptilian mammals and amphibians.

The Bug Hotel built in the museum's garden: a shelter and nesting place for many animals
Some specimens of Isopods, active terrestrial crustaceans decomposing organic matter
Some specimens of wild bees of the genus Osmia building nests inside the straws placed in the Bug Hotel
The weather station located in the museum's garden

- THE WEATHER STATION

The meteorological station in the museum allows to sample:
- temperature
- humidity
- rainfall
- wind (direction, intensity)
- evapotranspiration
- radiation
- UV rays

All collected data, together with some processing and simulation are available on this page

The instrumentation used is the basis on which specific teaching laboratories and projects for schools on meteorology and climate are carried out.

- THE NEOLITHIC FIELD

In the garden of the Museum were built small plots sown with ancient grains and native legumes of species whose use for agricultural purposes appears documented in the archaeological sites of northern Italy from the Neolithic (from about 5600/5500 B.C. ). During dedicated workshops, participants will be able to experience the different phases of Neolithic cultivation: from ploughing and sowing, to the subsequent cleaning of crops from weeds, until harvesting, harvesting and threshing.  With the archeobotanic Mauro Rottoli you can learn more about Neolithic agriculture.

Cultivation of cereals according to Neolithic methods in the Museum Garden
Cultivated area using Neolithic methods with evident flax blooming
An image of cereal ripening in the cultivated area inside the museum's garden
View of the stable lawn created inside the Museum Garden, with the blooming of archaeophytes
An image of Blood Carnation (Dianthus sanguineus), an Illyrian species associated with dry meadows, also found in the city of Udine
Flower of Green-winged Orchid (Anacamptis morio), an orchid species widespread in dry meadows and in the 'magredi'

- THE STABLE MEADOW

In the high Friulian plain and in the morainic areas, characterized by gravelly soils poor in nutrients, lean prairies can be formed, called precisely magredi. There are two fundamental types: primitive and evolved magredi. The former are presented as discontinuous prairies, where a steppe vegetation is observed.

The evolved magredi (stable meadows) have more nutrients in the soil and a homogenous and continuous turf and are characterized by showy and colorful blooms. They are among the richest habitats in plant species and for their maintenance mowing and/or grazing are fundamental.

- ARTIFICIAL NESTS

In the garden of the Museum there are also some artificial nests.
A great way to increase urban biodiversity is, in fact, the use of nesting boxes for birds and 'bat boxes' for bats. These structures, made of wood, concrete or other materials, offer shelter during the reproductive period, ensuring protection and thermal insulation in the delicate phase of breeding and weaning of offspring. 
They are regularly used by anthropophilic species such as the Savi’s bat, the assiole and various species of tits.

An artificial bird nest placed in the museum's garden
A great tit, a common passerine bird in human-modified environments, also frequenting artificial nests
A specimen of Savi's Pipistrelle, an anthropophilic animal that prefers wooded areas; it often inhabits bat nest boxes
View of a typical hedge surrounding a lowland forest formation
A specimen of wild mouse hidden among the ground leaves of a lowland forest

- THE CAPE (HEDGE)

The mantles are formations contiguous to the wood and constitute a sort of belt that separates it from the surrounding herbaceous communities. Often in our territory, especially in the plains, they act as a protective buffer for the forest, as they are in direct contact with agricultural areas or ruderal vegetation rich in alien species. These are in any case dynamic communities that would tend to evolve towards tree formations
They have a fundamental importance for the fauna, providing protection, shelter and source of supply (with fruits and seeds) in particular for the avifauna, for the small mammals and for the minor fauna.

- YOU MAKE A DIFFERENCE!

Separate collection is an easy practice, which can really make a difference: when we recycle, materials are converted into new products, limiting the consumption of natural resources.  In this way, the process of extracting raw materials from the environment can be significantly reduced and the amount of waste sent to landfills and incinerators can be considerably reduced, reducing emissions of pollutants. The most sustainable choice, however, begins with the drastic reduction of waste production, encouraging the reuse and recovery of materials and limiting waste (for example in packaging) in the stages of industrial production. The Museum favours and encourages less waste production and proper separate collection.

Chart illustrating the different types of recyclable waste

A saproxylic lucanid beetle (Dorcus parallelepipedus), also common in anthropic environments and associated with decomposing wood
A specimen of Agile Frog, a fairly common amphibian in traditionally managed agricultural environments
A parasitic lignicolous fungus growing on stumps and tree trunks.

- THE DEAD WOOD

Trees and shrubs have much longer life cycles than animals, however they are also destined for stages of senescence, decay and death. Very often, especially in the woods, dead wood is removed by humans because it is perceived as a kind of waste, a waste to be eliminated. It’s a valuable element for biodiversity, and its presence in forest ecosystems greatly increases the number of species present. There are many invertebrates (called saproxylic) linked to decaying wood, but this resource is also fundamental for amphibians, reptiles, birds and small mammals, which find refuge there, hibernation sites and the possibility of finding sources of food. Dead wood is also an important habitat for fungi, lichens, mosses and various plant species.  At a domestic level it is possible to recreate these environments with small stacks of wood, which will soon be colonized by different animals.

- RECONSTRUCTION OF DEINONYCHUS New

A space in the outdoor area of the Friulian Museum of Natural History is dedicated to a reconstruction of Deinonychus sp., a predatory theropod dinosaur that lived in North America in the Lower Cretaceous (100 to 140 million years ago). The name of this predator is derived from Greek and literally means “terrible claw,” in reference to the powerful claw on its hind legs, used to seize prey. This resin model, recently restored by the Laboratorio Naturalistico Friulano, has been showcased on numerous occasions, beginning with the Museum's iconic "Dinosaurs" exhibition in 1991. The reconstruction is set near a pleasant flowerbed of herbaceous and shrubby ornamental species.

Image of the resin model of Deinonychus sp. (Photo L. Laureati)
Detail of the head of the resin reconstruction of Deinonychus sp. (Photo L. Laureati)
Detail of the hind leg, the powerful claw used during prey hunting is visible (Photo L. Dorigo)
Overall view of the Museum's outdoor area dedicated to Agenda 2030 (Photo L. Laureati)

- THE “2030 AGENDA” AREA New

The 2030 Agenda is a global action plan of the United Nations, divided into 17 Sustainable Development Goals (SDGs), created with the intention of combating poverty, inequality and climate change by promoting sustainable development by 2030. Every country is called upon to contribute to these goals. The covered area of the Museum Garden has been dedicated to Agenda 2030, creating a space where internal and external experts organize educational and outreach activities on issues related to the SDGs. The material used for the exhibit comes from responsibly managed forests and will be recycled at the end of its use.

- THE CLIMATIC OASIS New

The Municipality of Udine, thanks to funding from the Ministry of the Environment and Energy Security, has set up a network of climate oases as part of an experimental program for climate change adaptation in the city. The one realised inside the Friulian Museum of Natural History aims to raise awareness of the key role of forests in balancing the climate, regulating humidity, temperature and promoting biodiversity. Designed by a green expert, the oasis combines aesthetic and educational elements, and included the planting of understory plants, both wild and cultivars.

Glimpse of the climatic oasis built under linden trees, with the information sign explaining the project in the foreground and the ergonomic seats made specially for visitors in the background.
In the background, the base of a linden tree (Tilia sp.) can be glimpsed, with silky fern and lesser periwinkle plants around it, out of focus; in the foreground can be seen the thematic sign on the climate oasis plants.
Periwinkle flower (Vinca minor)
Detail photo of the operations to lay the platform limestone block in the Museum Garden: a worker checks the alignment of the block, still slinging, on the ground base.
Detail of the limestone block of (Platform)
Transporting and setting up the limestone block of (Platform) in the Museum Garden.

- BLOCK OF "PLATAFORM LIMESTONE" New

Block of "platform limestone" weighing about 2 tons, found in Pradis (Carnic Pre-Alps) during the excavation of a house foundation. Dating from the Cenomanian period (upper Cretaceous, about 100 million years ago), it contains several dozen specimens of Chondrodonta joannae: some of them show slightly different shapes from each other and are related to the morphotypes " Pinna ostreaeformis" and Chondrodonta delgadoi.

Via Cecilia Gradenigo Sabbadini
22-32, 33100 Udine
How to reach the museum

0432 1273211
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